'...Another break from conventions of the past were seen in the follow spots, with the lighting crew opting to utilise Follow-Me’s remote spots system. Controlling a rig of 10 Robe BMFLs were four Follow-Me terminals assigned to two fixtures in the rig. The operators controlled the pan/tilt parameters of the spot movement, with two BMFLs assigned to each band member.
Meanwhile, Ohashi had control of iris, colour, and dimmer, through his MA Lighting grandMA2 console which was running multiple protocols including MANet and SACN as well as ArtNet for the Follow-Me system. “It’s a great system,” commented Cassidy. “It gives Kenji at FOH so many more options to do more effects than you would ever be able to do with conventional spots from strobes to colours. Not to mention,
all the blackouts are now super crisp as one source is controlling them simultaneously.”...'